January 19, 2018 –
The Japan-U.S. Friendship Commission was established as an independent federal agency by Congress in 1975 (P.L. 94-118). The Commission administers a U.S. government trust fund that originated in connection with the return to the Japanese government of certain U.S. facilities in Okinawa and for postwar U.S. assistance to Japan. As amended, it may also receive gifts of cash from outside sources.
The Japan-U.S. Friendship Commission has authorization under P.L. 94-118 to spend up to approximately five percent of the principal in its trust funds, and any amount of its gift funds, without Congressional appropriation. In the event of an appropriations hiatus, the Commission will use a portion of the five percent drawdown authority given to it by Congress, as well as its gift funds, to carry out and maintain activities through the period of any government shutdown.
January 19, 2018 –
Washington, DC January 18, 2018: The Japan-U.S. Friendship Commission (JUSFC) is pleased to announce that Congressman French Hill has joined JUSFC as a Commissioner.
This week, Speaker Paul Ryan appointed Congressman French Hill (AR-02) to serve on the Japan-United States Friendship Commission, an independent federal government agency established by Congress in 1975.
The Commission’s mission is to promote partnerships that advance common interests and aims to strengthen the U.S.-Japan relationship through educational, cultural, and intellectual exchange.
“Japan and the United States share a vital partnership, and I’m grateful for the opportunity to serve on this worthy commission,” said Rep. Hill. “Japan is the fourth largest recipient of Arkansas exports, and Japanese-owned Tokusen USA, which is located in my Congressional District, is an important part of our Central Arkansas community. I thank Speaker Ryan for appointing me to this commission, and I’m honored to be a part of our efforts to further strengthen the economic and national security of the U.S.-Japan relationship.”
“Representative Hill’s background representing the United States in the historic bilateral talks with Japan known as the Structural Impediments Initiative (SII) and his work strengthening U.S.-partnerships around the globe make him a great addition to this commission,” said Speaker Ryan. “I appreciate his willingness to serve, and I’m confident he will do a great job helping to advance our U.S.-Japan relationship.”
The complete press release is available here.
January 16, 2018 –
Nearly 600 people attended the premiere of the Hiroshi Sugimoto: Gates of Paradise exhibition in October at Japan Society in midtown Manhattan – one of its most successful openings in its recent history. The exhibit’s striking design and Sugimoto’s monumental photographs drew critical raves from both the general public and the art world.
“One always aspires to present an exhibit in a way that its relevance is immediately understood,” explained Dr. Michael Chagnon, Japan Society’s Curator of Exhibition Interpretation. “New York City is an overly saturated art market, and we’re thrilled to have successfully reached both those familiar with Sugimoto’s work and those being introduced to Japanese art for the first time.”
The exhibition tracks the journey of one of the earliest cultural exchanges between Japan and the West by tracing the footsteps of four Japanese boys as they explored 16th-century Europe as the first official emissaries from Japan. Various educational components and related performing arts programs held in conjunction with the exhibit amplified its impact.
“We really couldn’t think of a more important project to celebrate our 110th anniversary as an organization and our mission of cultivating a broader understanding between Japan and the U.S.,” Dr. Chagnon shared.
One of the premier institutions bringing contemporary Japanese art to the United States, Japan Society hosts two major exhibitions each year, covering topics as diverse as classical Buddhist sculpture and calligraphy, contemporary photography and ceramics, samurai swords, export porcelain, and masterpieces of painting from the 13th to 21st centuries.
Japan Society has a longstanding relationship… » READ MORE
January 10, 2018 –
Two outstanding scholars are the recipients of the 2017-18 Japan-U.S. Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature. The prizes will be awarded in March 2018 at a ceremony at the Donald Keene Center of Japanese Culture, Columbia University.
David Boyd, SLOW BOAT (Pushkin Press, 2017);
Hiroaki Sato, THE SILVER SPOON: MEMOIR OF A BOYHOOD IN JAPAN (Stone Bridge Press, 2015)
The Japan-United States Friendship Commission Prize for the Translation of Japanese Literature was established in 1979. The award has been administered by the Donald Keene Center of Japanese Culture at Columbia University since the Center was founded in 1986. The Prize is awarded annually to outstanding works of translation into English from the Japanese language.
The complete press release is available here.
January 4, 2018 –
Calling all artists! Join us for a Twitter chat on January 11, 2018 at 6pm Eastern Time with the National Endowment for the Arts to discuss the U.S.-Japan Creative Artists Program. Connect with program alumna LaTasha Diggs, learn how to apply and get tips and advice during the chat! Applications are due February 1, 2018.
Follow us on Twitter @J_USFC and hashtag #JUSFC.
January 2, 2018 –
Theater Breaking Through Barriers (TBTB), is the only Off-Broadway theater in New York and one of just a few in the United States that is dedicated to advancing actors and writers with disabilities — and changing the image of people with disabilities.
“We have always been an integrated company of both disabled and non-disabled artists,” says TBTB Artistic Director Nicholas Viselli. “We’ve acquired a reputation for excellence while modeling the full inclusion of people with disabilities in our work. Support from the Japan-U.S. Friendship Commission (JUSFC) has allowed us to expand our work and mission globally to Japan, and has truly been a game-changer for us.”
Founded in 1979 as Theater by the Blind and showcasing the work of blind and low vision artists and actors, TBTB expanded its mission in 2008 to include writers, directors, administrators and performers of all disabilit
ies, and changed its name to Theater Breaking Through Barriers, retaining the “TBTB” acronym by which they are most commonly known. It is TBTB’s principal goal to alter the negative stereotypes surrounding disability and to ultimately show the “vibrancy and vitality of our artists through our art.”
“It has always been challenging to attract audiences to our work because of the stigmas and fears surrounding disability,” explains Viselli. “It is our ultimate goal to change those perceptions, and to prove that disability does not diminish or detract from the quality of the art or the artist. Nearly 20% — one fifth — of our country’s population currently lives with a physical disability. It… » READ MORE